With Antonia Quirke

Two directors look back at their crazy year. Mark Jenkin’s Bait has been described as a modern masterpiece. Shot in 16mm black and white on a hand-cranked camera, this tale of a Cornish fishing village has been an unlikely box office hit, and still played in cinemas in this country two months after its release. Dexter Fletcher’s Rocketman, on the other hand, began life with a starry premiere at the Cannes Film Festival and was made not long after Fletcher was brought into complete filming on Bohemian Rhapsody, which won the best drama at the Golden Globes in January.