If it hadn’t been for Pyotr Tchaikovsky’s love of jam, he may never have completed his first large-scale work. After graduating from the Conservatory of St Petersburg, the 26-year-old started composing his first symphony, ‘Winter Daydreams’, but quickly ran out of steam.

“No other work cost him such effort and suffering… its composition was fraught with difficulty,” recalled his younger brother Modest.

A school friend came to the rescue. The poet, Aleksey Apukhtin, suggested a visit to the monastery island of Valaam in Lake Ladoga near St Petersburg for some fresh ideas. Tchaikovsky refused but was lured on board a ship by the promise of delicious jam from the buffet. The trip inspired the symphony’s second movement ‘Gloomy Land, Misty Land’ with its haunting oboe that seems to echo over the Ladoga waters like a hymn.

Founded in the 14th century, Valaam was a northern outpost of the Eastern Orthodox Church against pagans. Tchaikovsky was deeply entranced by its ancient monastery’s unique a cappella style of singing called Znamenny Chant. Throughout his life he was at once immensely drawn to church services and at the same time tormented by contradictions in his faith. His search for inner peace is reflected in his Liturgy of St John Chrysostom and the All-Night Vigil.

This Sunday Feature interweaves Tchaikovsky’s music with Apukhtin’s poem, A Year in a Monastery as well as the composer's letters. Just like Tchaikovsky, Lucy Ash ends up staying on Valaam for longer than expected due to a ferocious autumn storm on Europe’s biggest lake. There she meets Brother Maxim, a young monk and a former import trader, and Father David, the head of a remote skete, or settlement of Orthodox monks, who happens to be a professionally trained jazz musician.

Producer Tatyana Movshevich